How the photo and film day is made

I handle the photographs and the film: the days, the cameras, the edit. A planner handles permits, vendors, language on the ground, and legal steps if you want them. If you do not have a planner, I can introduce people I trust. I will not pretend to be a Tokyo or Seoul planning desk.

Yes. Photography, film, or both on the same day. Analog-only Super 8 and 16mm if you already have a photographer. Say what you want in the inquiry.

Stills coverage is part of the day, not an afterthought. Collections are quoted with photographs and motion together unless you ask for analog-only film beside a photographer you already hired.

Yes. Still photographs and motion are one offering. I photograph and film the day myself. You do not need a second vendor unless you already have a photographer and only want analog motion.

Yes. Super 8 sits beside still photographs, 16mm, and 4K. Analog is the vibe for both stills and motion. Digital stills are the through line. 35mm stills when the day calls for paper grain too.

All three. Adam Grumbo is a photographer, videographer, and filmmaker. GrumboElope is destination elopement photo and film. Vintage, place-first, analog in the kit.

I photograph and film either. A legal marriage and a symbolic vow are both days worth making. I am not a lawyer and I am not the planner. Confirm with your home records office what they will recognize, then we make the day you actually have.

No. I work in English. If a shrine, hanok, or vendor needs Japanese or Korean, a trusted local planner can carry that so you are not translating your own wedding day.

Both. Digital stills and cinematic 4K are the through line. Super 8 and 16mm are the analog spine for motion. 35mm stills when we want grain on paper. Analog is a craft, not a filter.

Yes. Many couples already have a stills person. I can make analog-only motion: Super 8 and 16mm beside their photographs. I hold the cameras myself. I do not hire out the work to a stranger.

Japan and Korea are the emphasis: Kyoto, Mt Fuji and Hakone, Tokyo, Okinawa, Seoul, Jeju, and Busan. I also take Colorado, and I am opening Ashford in North Carolina and Ireland at the Cliffs of Moher. I travel from Austin and Colorado in the United States.

Rain photographs and films well. Wet stone, umbrellas at a distance, Tokyo or Seoul when the street turns into glass. We plan a covered hour and we stay out in it when the day wants that.

I travel from the United States (Austin and Colorado). I am not based in Kyoto or Seoul, and I do not keep a four-region Japan staff. You handle your flights and rooms unless a planner is already on the job. I invoice travel honestly after we shape the dates.

Inquiry-led and custom. Day count and craft (photography, 4K film, Super 8, 16mm) shape the quote. There is no public price grid and no checkout package. Write first. I reply in English.